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1. DRM PLUG IN FINAL CUT PRO X MAC UPGRADE
2. DRM PLUG IN FINAL CUT PRO X MAC SOFTWARE
3. DRM PLUG IN FINAL CUT PRO X MAC FREE
4. DRM PLUG IN FINAL CUT PRO X MAC MAC

DRM PLUG IN FINAL CUT PRO X MAC UPGRADE

I need an evening coffee, or to upgrade my brain to M1 Max. More on details of these updates later this week.

And some of you, probably, watch that FedEx tracking… enjoy.

DRM PLUG IN FINAL CUT PRO X MAC MAC

And as usual with the Mac, it isn’t just the Apple apps – we do expect a lot from the other members of the Mac ecosystem on the new Apple hardware, too.

Motion performance enhancements – 2x faster renders, 5x performance of two 8K video streams on MBP.Improved ProRes playback and export performance on the new M1 Pro / Max.New Neural Engine acceleration for face and object detection on those newer M1 Pro / Max, too.Improved object tracking analysis on 16-inch MacBook Pro.Edit Cinematic mode videos from the iPhone 13/iPhone 13 Pro (heh, how you get those into Resolve I guess will be a topic for another day).There are also Producer Packs, which… you probably don’t care about, but that does include an Atmos mix of Lil Nas X, which could make a reasonable demo for how those projects are assembled. In short: the likelihood here is that this makes both multichannel panning more accessible to Logic users, and Atmos authoring more economical for all Mac users.īut the other story here is, if you are getting a new MacBook Pro, Apple says in their news item that you’ll get up to 3x more plug-ins for recording. How that works, what features are here versus the paid tools, whether this applies to other Atmos deployments – all that I have to research. The second part is equally good news for democratization, which is that it appears you’ll be able to author Dolby Atmos for Apple Music without buying add-ons as you previously had to do. Getting it “for free” in Logic would be really, really great, though. That’s certainly how that stuff can and should work. (Notice the binaural output in the screenshot, so you can even get something through headphones.) So that’s not just relevant to Atmos or any single proprietary format it should work for your n-order ambisonics or multichannel performances or whatever. The spatial options in the plug-ins and panners and whatnot are almost certainly multichannel spatial tools generally. Spatial options in 13 plug-ins – including Space Designer (ooooooooh), Limiter, Loudness Meter, and Tremolo.Īs I read the update, this is really two good things in one.I hope to do a deep dive on this soon, but here’s the snapshot: This is what we’ve been eagerly anticipating – Apple is baking Spatial Audio tools directly into Logic. Logic Pro 10.7 – now with Spatial Audio creation tools The likelihood here is that this makes both multichannel panning more accessible to Logic users, and Atmos authoring more economical for all Mac users.

But many other tools tend to have higher licensing fees, in particularly for Dolby Atmos authoring.

DRM PLUG IN FINAL CUT PRO X MAC FREE

There are already some free tools out there like the open-source IEM suite. This is the one we’ll be digging into next – spatial tools baked right into Logic. Apple’s situation is unique, of course – why charge for upgrades when they can sell you a new MacBook Pro? But it’s still worth mentioning.Īnd let’s get into what you get with these updates. So if it’s not happening now, I don’t expect it to happen any time soon. If there was ever a time to unveil some kind of Apple Pro subscription for the Pro apps, this would have been it, presumably.

DRM PLUG IN FINAL CUT PRO X MAC SOFTWARE

As a lot of software pushes subscriptions, Apple isn’t. That subscription news I think is itself notable. Just as notable, the pricing stays the same – free updates, buy once, no subscriptions. Logic gets the Spatial Audio tools we’ve been waiting for (and they look fantastic). Final Cut Pro, Motion, Compressor, and Logic Pro all got major updates today, too, to go alongside those new Macs.